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“I’m influenced by the myth of Sisyphus, Kafka, and Dostoyevsky” – Robert Ayers in conversation with Tehching Hsieh

    Anyone who knows the what’s what in performance art acknowledges Tehching Hsieh as one of the great defining artists of the discipline. Having arrived here as an illegal immigrant from Taiwan in 1974, he made a series of five quite unbelievable year-long performances between 1978 and 1986, at least four of which were almost [...]