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“Everybody is very excited!” – Robert Ayers in conversation with Katelijne de Backer.

This Wednesday, March 3, sees the opening of the twelfth edition of the Armory Show, the biggest yet, with almost 300 galleries exhibiting. Of course the Armory Show’s arrival in New York City each spring is not simply about one of the world’s most important art fairs. There is the palpable sense of the art [...]

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“I think it’s color, really, that keeps me interested.” – Robert Ayers in conversation with Richard Smith.

Had I not stumbled upon performance art in the early 1970s, it is very possible that I would have dedicated my artistic efforts to abstract painting after the particular example of my compatriot Richard Smith (born 1931). When I was a young British art student there were very few artists for whom I had more [...]

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Go see this now: Paul McCarthy’s “Shit Pie (White Snow)” (2009) at Hauser & Wirth

If there’s a less polite exhibit than Paul McCarthy’s White Snow in New York presently, I certainly haven’t seen it.
Pretty much throughout his entire artistic career – certainly since I first saw him perform in England in 1983 – Mr McCarthy has trained his artistic focus on the more disgusting aspects of the human condition: [...]

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“A great way for me to relive my fantasies!” – Robert Ayers in conversation with Thomas Allen.

Thomas Allen has been a favorite photographer of mine since I first saw his work at the Foley Gallery in 2004. He describes his work quite simply: “I work with vintage paperbacks, mainly 1950s pulp novels. I cut them with an Exacto knife and make pop-up books. Then I light them for very dramatic effect [...]

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Go see this now: Amy Stein’s “Struggle” (2008) at ClampArt.

A weather front passes over low hills and a broken row of small houses; the sky darkens; and, just as the storm is about to break, a bizarre and terrifying sight unfolds before our eyes. A wild bear, one of the proudest and most feared creatures that comes into more or less regular contact with [...]

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“I’m not afraid of the word romanticism.” – Robert Ayers in conversation with Yigal Ozeri.

I’ve known Yigal Ozeri for something like four years now, and written about his work for ARTINFO on several occasions. He is a genuinely larger than life character, and one of the most voluble, most likeable characters on the New York art scene. Born in Israel in 1958, Mr Ozeri has been working here for [...]

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On the fingers of one hand: Iwan Wirth on Hauser & Wirth New York

Earlier today ARTINFO and The New York Times broke the story that Hauser & Wirth – Flash Art’s “top international gallery” in Europe – is to open a gallery in New York this September. During the summer they will be converting their building at 32 East 69th Street (which is currently home to the secondary [...]

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Personal recommendations: the Affordable Art Fair

 
I had quipped to friends before attending this year’s New York Affordable Art Fair that I doubted whether I would find anything that was coincidentally affordable and desirable. I am big enough to admit that I was wrong. 
In its new accommodation at 7 West 34th Street – the same place that has recently housed both [...]

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On the fingers of one hand: Cheryl McGinnis says, “Being unsuccessful is not an option.”

 
 
I first met Cheryl McGinnis three years ago, not long after she’d opened her gallery way up Madison Avenue in Carnegie Hill. I was immediately intrigued: although Lesley Heller was just around the corner on 92nd Street in those days, and they were both within a block of Museum Mile, this seemed like the least [...]

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“My intention is to create mystery.” – Robert Ayers in conversation with Kenneth Snelson.

 
Kenneth Snelson is one of the most single-minded of contemporary artists. Fashions in art have swirled and shifted around him since the 1960s, but he has remained faithful to an abiding concern with the interplay of natural forces, and a dedication to finding ways in which those forces might manifest themselves in three-dimensional forms.  
 
He [...]